Feedback excitation mechanism in organ pipes.
نویسندگان
چکیده
منابع مشابه
Synchronization of Organ Pipes
We report results on the synchronization of an organ pipe either by a second pipe or by a loudspeaker, positioned side by side. Classical theory suggests oscillation death for the synchronization of two organ pipes. With our measurements we clearly exclude this scenario. Rather, we identify the aeroacoustical coupling by the oscillating wind sheet at the pipe mouth as the source of a self-regul...
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The functioning of the first type, the flue or labial pipe, was already investigated within previous extensive research projects. The second pipe type, the reed pipe, is less often installed in pipe organs, and only little research was done in this field so far. This is why this pipe type is now the focus of research of the working group ‚Musical Acoustics ‘ at the Fraunhofer Institute for Buil...
متن کاملJet drive mechanisms in edge tones and organ pipes
Measurements of the phases of free jet waves relative to an acoustic excitation, and of the pattern and time phase of the sound pressure produced by the same jet impinging on an edge, provide a consistent model for Stage I frequencies of edge tones and of an organ pipe with identical geometry. Both systems are explained entirely in terms of volume displacement of air by the jet. During edge-ton...
متن کاملSynchronization of organ pipes: experimental observations and modeling.
We report measurements on the synchronization properties of organ pipes. First, we investigate influence of an external acoustical signal from a loudspeaker on the sound of an organ pipe. Second, the mutual influence of two pipes with different pitch is analyzed. In analogy to the externally driven, or mutually coupled self-sustained oscillators, one observes a frequency locking, which can be e...
متن کاملOn the acoustical quality of free-reed organ pipes
Free-reed organ pipes were introduced at the end of the 18 century and soon became popular across Europe, especially in Germany and Switzerland. As opposed to striking-reed pipes (boundor beating-reed pipes) the reed in free-reed pipes does not beat against the shallot, an orifice in the reed, when it is played. Instead it swings freely through a perforated rectangular plate of brass, like in r...
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ژورنال
عنوان ژورنال: Journal of the Acoustical Society of Japan (E)
سال: 1980
ISSN: 0388-2861,2185-3509
DOI: 10.1250/ast.1.175